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The men and women both serve different purposes in society in order to function as a whole. Today the Zulu predominately believe in Christianity, but have created a syncretic religion that is combined with the Zulu's prior belief systems.

In the Nguni languages , iZulu means heaven , or weather. At that time, the area was occupied by many large Nguni communities and clans also called the isizwe people or nation, or were called isibongo , referring to their clan or family name.

Nguni communities had migrated down Africa's east coast over centuries, as part of the Bantu migrations.

As the nation began to develop, the rulership of Shaka brought the clans together to build a cohesive identity for the Zulu.

The Zulu formed a powerful state in [4] under the leader Shaka. Shaka, as the Zulu commander of the Mthethwa Empire and successor to Dingiswayo , united what was once a confederation of tribes into an imposing empire under Zulu hegemony.

Shaka built a militarised system known as Impi featuring conscription, a standing army, new weaponry, regimentation, and encirclement battle tactics.

Zulu expansion was a major factor of the Mfecane "Crushing" that depopulated large areas of southern Africa.

In mid-December , envoys of the British crown delivered an ultimatum to 11 chiefs representing the then-current king of the Zulu empire, Cetshwayo.

Under the British terms delivered to the Zulu, Cetshwayo would have been required to disband his army and accept British sovereignty.

Cetshwayo refused, and war between the Zulus and African contingents of the British crown began on January 12, Despite an early victory for the Zulus at the Battle of Isandlwana on the 22nd of January, the British fought back and won the Battle at Rorke's Drift , and decisively defeated the Zulu army by July at the Battle of Ulundi.

After Cetshwayo's capture a month following his defeat, the British divided the Zulu Empire into 13 "kinglets". The sub-kingdoms fought amongst each other until when Cetshwayo was reinstated as king over Zululand.

This still did not stop the fighting and the Zulu monarch was forced to flee his realm by Zibhebhu , one of the 13 kinglets, supported by Boer mercenaries.

Cetshwayo died in February , killed by Zibhebhu's regime, leaving his son, the year-old Dinuzulu , to inherit the throne.

In-fighting between the Zulu continued for years, until in Zululand was absorbed fully into the British colony of Natal. Under apartheid , the homeland of KwaZulu Kwa meaning place of was created for Zulu people.

KwaZulu consisted of many disconnected pieces of land, in what is now KwaZulu-Natal. Hundreds of thousands of Zulu people living on privately owned "black spots" outside of KwaZulu were dispossessed and forcibly moved to bantustans — worse land previously reserved for whites contiguous to existing areas of KwaZulu.

By , approximately 5. Inkatha YeSizwe means "the crown of the nation". This organization was nominally a protest movement against apartheid, but held more conservative views than the ANC.

For example, Inkatha was opposed to the armed struggle, and to sanctions against South Africa. Inkatha was initially on good terms with the ANC, but the two organizations came into increasing conflict beginning in in the aftermath of the Soweto Uprising.

The language of the Zulu people is "isiZulu", a Bantu language ; more specifically, part of the Nguni subgroup. Zulu is the most widely spoken language in South Africa, where it is an official language.

More than half of the South African population are able to understand it, with over 9 million first-language and over 15 million second-language speakers.

The Zulu people celebrate an annual event that was established in called the Umhlanga or Reed Dance. This event takes place at the royal capital near Nongoma.

The beadwork is not only worn by the dancers, but by the guests as well. The Umhlanga is not purely for a time of dance.

The King also uses this time to speak to the young men and women of the nation. The King discusses the arising political issues that are inflicting on their nation.

The creation of beadwork dates back to the times of war for the Zulu people. This particular form of beadwork were known as iziqu , medallions of war.

This assemblage of beads by the warriors represented a symbol of bravery. Beadwork is a form of communication for the Zulu people.

Typically when one is wearing multiple beads, it is a sign of wealth. The more beads one is wearing, the wealthier they are perceived.

The design of the beads often conveys a particular message. However, one must know the context of their use in order to read the message correctly.

A message could be embedded into the colors and structure of the beads or could be strictly for decorative purposes.

For example, beadwork is featured during the coming of age for a young girl or worn during dances.

Beadwork is worn by all men, women, and children at any age. Depending on which stage of life an individual is in, the beadwork indicates different meanings.

Beadwork is dominantly worn when young Zulu people are courting or in search for love affairs. These long skirts are also seen on unmarried women and young marriageable-age girls.

The more gifts he is wearing, the higher prestige he obtains. Various forms of beadwork are found in different color schemes. Typically, there are four different types of color schemes:.

This color scheme is believed to have no specific meaning. This color scheme derives from clans or clan areas. This color scheme also derives from clans or clan areas.

This color scheme is often related to connotations of perfection and charm. The colors of beads might hold different meanings based on the area that they originated from.

It is often at times that this can lead to misrepresentation or confusion when attempting to understand what the beadwork is communicating.

One cannot assume that the color system is standard across South Africa. In some areas, the color green symbolizes jealousy in a certain area, but in another area it symbolizes grass.

Zulus wear a variety of attire, both traditional for ceremonial or culturally celebratory occasions, and modern westernized clothing for everyday use.

The women dress differently depending on whether they are single, engaged, or married. The men wore a leather belt with two strips of hide hanging down front and back.

In South Africa, the miniskirt has existed since pre-colonial times. In the African cultures, such as the Basotho, the Batswana, the Bapedi, the Amaswati and the AmaZulu, women wore traditional miniskirts as cultural attire.

The skirts are called isigcebhezana and are essential in Zulu ceremonies. For example, Umemulo is a ceremony for women who turn 21 years of age.

Additionally, each stage of a Zulu's life is determined by a specific type of clothing. For an unmarried woman, she wears the skirt and nothing on the top, but as she grows up, the woman starts to cover up her body because a time will come in which she will be a married woman and an old woman.

Nonetheless, a special type of clothing is reserved to pregnant women. The Zulu people govern under a patriarchal society. Zulu men identify themselves with great pride and dignity.

They also compare themselves to qualities of powerful wild animals such as, bulls, lions and elephants. The art of stick fighting is a celebration of manhood for Zulu men.

These men can begin to learn this fighting art form as young as the age of five years old. For example, men may want to learn so that they can set right any wrongs or insults made towards them.

The men can only fight a man within the same age as them. One cannot hit the opponent once the stick is lost from the possession.

Lastly, only sticks are allowed when fighting. The women in Zulu society often perform domestic chores such as cleaning, raising children, collect water and firewood, laundry, tend to crops, cooking, and making clothes.

The majority of the Zulus were real Zulus. Around 1, additional tribesmen were filmed by the second unit in Zululand. The film was compared by Baker to a Western movie , with the traditional roles of the United States Cavalry and Native Americans taken by the British and the Zulus respectively.

Director Endfield showed a Western to Zulu extras to demonstrate the concept of film acting and how he wanted the warriors to conduct themselves.

This allegation is incorrect, as all of the Zulu extras were paid in full — the main body of extras were paid the equivalent of nine shillings per day each, additional extras eight shillings, and the female dancers slightly less.

Michael Caine, who at this early stage in his career was primarily playing bit parts, was originally up for the role of Private Henry Hook, which went to James Booth.

According to Caine, he was extremely nervous during his screen test for the part of Bromhead, and director Cy Endfield told him that it was the worst screen test he had ever seen, but they were casting Caine in the part anyway because the production was leaving for South Africa shortly and they had not found anyone else for the role.

Caine's performance in Zulu won him praise from reviewers, and his next film role would be as the star of The Ipcress File in which he was reunited with Nigel Green.

One technical problem the armorers and the director had to deal with concerned the rifles used during the filming.

The company was unable to obtain enough Martini-Henry rifles to equip all of the extras, and had to fill in with No.

In the scene at where Chard orders a walking advance and volley fire by ranks, the cocking pieces can be seen moving forward as the men shoot, and one kneeling man can even be seen working the bolt on his rifle.

Generally, in any scene shot from the soldiers' left, the rifles being used are Enfields; in any scene shot from the right, Martini-Henrys.

The budget of the film has been the subject of some speculation. Joe Levine later revealed that Stanley Baker had approached him with a script and budget in , just after the filming of Sodom and Gomorrah.

According to the records of the British completion bond company, Film Finance, Ltd. The basic premises of the film are true and largely accurate, but is not a historical re-enactment of real events.

The heavily outnumbered British successfully defended Rorke's Drift more or less as portrayed in the film. Writer Cy Endfield even consulted a Zulu tribal historian for information from Zulu oral tradition about the attack.

There are several inconsistencies with the historical record concerning the Swedish missionaries, the Witts. In the film, Witt is depicted as a middle-aged widower, a pacifist and drunkard, who has an adult daughter called Margareta.

In reality, Otto Witt was aged 30 and had a wife, Elin, and two infant children. On the morning of the battle, Otto Witt, with the chaplain, George Smith and Surgeon-Major James Henry Reynolds had ascended Shiyane, the large hill near the station, and noticed the approach of the Zulu force across the Buffalo River.

Far from being a pacifist, Witt had co-operated closely with the army and negotiated a lease to put Rorke's Drift at Lord Chelmsford's disposal.

Witt made it clear that he did not oppose British intervention against Cetshwayo. He had stayed at Rorke's Drift because he wished "to take part in the defence of my own house and at the same time in the defence of an important place for the whole colony, yet my thoughts went to my wife and to my children, who were at a short distance from there, and did not know anything of what was going on".

He therefore left on horseback to join his family shortly before the battle. The attack on the mission station was not ordered by King Cetshwayo, as the audience is led to believe in the film.

Cetshwayo had specifically told his warriors not to invade Natal, the British Colony. The attack was led by Prince Dabulamanzi kaMpande , the King's half-brother, who pursued fleeing survivors at Isandlwana across the river and then moved on to attack Rorke's Drift.

Although almost 20, rounds of ammunition were fired by the defenders, just under Zulus were killed at Rorke's Drift. A similar number were left behind when the Zulus retreated, being too badly wounded to move.

Comments from veterans many years after the event suggest the British killed many of these wounded men in the battle's aftermath, raising the total number of Zulu deaths to over At roughly a.

No attack materialised, as the Zulus had been on the move for six days prior to the battle. In their ranks were hundreds of wounded, and moreover they were several days' march from any supplies.

Around am, another force appeared, the defenders abandoned their breakfast and manned their positions again. The approaching troops were the vanguard of Lord Chelmsford's relief column.

The Zulus did not sing a song saluting fellow warriors, and departed at the approach of the British relief column.

On its initial release in , it was one of the biggest box-office hits of all time in the British market. For the next 12 years it remained in constant cinema circulation before making its first appearance on television.

It then went on to become a television perennial, and remains beloved by the British public. Zulu received highly positive reviews from critics.

Bosley Crowther of The New York Times wrote that "if you're not too squeamish at the sight of slaughter and blood and can keep your mind fixed on the notion that there was something heroic and strong about British colonial expansion in the 19th century, you may find a great deal of excitement in this robustly Kiplingesque film.

For certainly the fellows who made it, Cy Endfield and Stanley Baker, have done about as nifty a job of realizing on the formula as one could do.

It has already been pointed out that 'Zulu' is in poor taste. But so are such invaluable relics as G. Henty and Rider Haggard and Kipling. And the battle, which occupies the whole second half of the film, is unquestionably thrilling But whenever there is a pause in the action the script plunges relentlessly into bathos, with feuding officers, comic other ranks, and all the other trappings of British War Film Mark I, which one had hoped were safely obsolete.

Although actual participants of the battle are named characters in the film, they bear little resemblance to historical accuracy. The most controversial portrayal is the one of Private Hook who is depicted as a thief and malingerer the real Hook was a model soldier and teetotaller.

His elderly daughters were so disgusted with the Zulu character, they walked out of the London premiere in The fictional depiction has led to an ongoing campaign to have the historical reputation restored to the real Private Hook.

When released in Apartheid South Africa in the film was banned for black audiences as the government feared that its scenes of blacks killing whites might incite them to violence , apart from a few special screenings for its Zulu extras in Durban and some smaller Kwazulu towns.

By critics were divided over whether the movie should be seen as deeply anti-imperialist or as racist. Zulu was filmed in Technirama and intended for presentation in Super Technirama 70, as shown on the prints.

In the UK however, the only 70mm screening was a press show prior to release. While the vast majority of cinemas would have played the film in 35mm anyway, the Plaza's West End screenings were of the 35mm anamorphic version as well rather than, as might have been expected, a 70mm print.

By the number of British films available to a cinema like the Plaza could be limited and Zulu gave them several weeks of British quota qualification if played in 35mm.

In other countries the public did get to see the film in 70mm. An official DVD release with a mono soundtrack as the original stereo tracks were not available was later issued by StudioCanal through Metro-Goldwyn-Mayer.

The film was released on Blu-ray in the UK in ; this version is region-free. On 22 January , Twilight Time issued a limited-edition Blu-ray of Zulu in the US [ citation needed ] with John Barry's score as an isolated track; [40] the release date being the 50th anniversary of the film and the th anniversary of the actual battle.

From Wikipedia, the free encyclopedia. Zulu UK cinema release poster. United Kingdom [1]. Michael Caine recalls auditioning for Zulu.

This section possibly contains original research. Please improve it by verifying the claims made and adding inline citations.

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British Film Institute. Archived from the original on 12 July Retrieved 28 July The Observer. London, UK. Turner Classic Movies.

Time Out. Front Row. BBC Radio 4. Retrieved 18 January Sheffield, England: Tomahawk. The New York Times. New York City.

The Independent. Retrieved 10 June The Daily Telegraph. Retrieved 29 April Bookmarks Publications Ltd. B3: The 24th Regiment and its local links".

Museums of the Royal Regiment of Wales. Archived from the original on 23 November

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Zulu Dawn Adventure Drama History. Waterloo I Action Biography Drama. Adventure History War. Zulu Crime Drama Thriller.

The Italian Job Action Comedy Crime. A Bridge Too Far Drama History War. Battle of Britain Action Drama History. Alfie Comedy Drama. The Eagle Has Landed Adventure Drama Thriller.

The Guns of Navarone Action Adventure Drama. Get Carter Action Crime Thriller. Edit Storyline Zululand, South Africa, Taglines: Dwarfing The Mightiest!

Towering Over The Greatest! Edit Did You Know? Unfortunately, the BBC later destroyed the only tapes of that broadcast.

Goofs The young women dancing in the open mass wedding wear black panties. At the time of the battle, they would have danced nude.

Quotes Cpl. William Jones : Well, there's daft, it is then. I don't see no sense in running to fight a battle. Crazy Credits At the end of the opening credits 'and Introducing Michael Caine' is shown, this would suggest that this was his first film.

In fact MC had previously had five credited film roles, numerous TV appearances and several uncredited film roles before appearing in Zulu.

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Zulu people have a system called ilobolo. This term is particularly used by Zulu people when it comes to bride wealth.

Every African ethnic group has different requirements when it comes to bride wealth. In pre-capitalist Zulu society, ilobolo was inextricably linked to the ownership of cattle.

It could be paid before the marriage or during the marriage. The groom will be taking the cattle from his father's herd in order to perpetuate the family heritage.

Nonetheless, this ritual has changed during colonization because in , Theophilus Shepstone , then Natal Secretary for Native Affairs , formalized the ilobolo payment to 10 cattle for commoners plus the ingquthu cow for the mother , 15 for hereditary chief siblings and plus for the daughters of a chief.

Additionally, with the instauration of the Natal Code, some Zulu men decided to settle another way in which they could decrease the ilobo: offer a token payment or bring a present for the father of the prospective bride in order to decrease the ilobolo amount to be paid.

Consequently, this is the reason why some are willing to maintain it as long as possible. From Wikipedia, the free encyclopedia. For other uses, see Amazulu disambiguation.

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Main article: Zulu Kingdom. Main article: Anglo-Zulu War. Main article: KwaZulu. Main article: Inkatha Freedom Party. Main article: Zulu language.

See also: Swenkas. Main articles: Zulu traditional religion and Zulu Christianity. Main article: List of Zulu people.

South Africa portal. Retrieved 29 November Archived from the original on 22 May Retrieved 4 March Oral Tradition. The Earth and Its Peoples.

US: Houghton Mifflin Company. Speaking with Beads. Learning Zulu. Princeton University Press. Retrieved 26 October University of Waterloo.

The Religious System of the Amazulu. Asante, Ama Mazama Encyclopedia of African religion, Volume 1. Zulu thought-patterns and symbolism.

University of Iowa. Archived from the original on 31 May Retrieved 6 June The New York Times. Retrieved 9 December Journal of Contemporary African Studies.

African Studies Review. Ethnic groups in South Africa. Sotho Balobedu Mabelane Tswana Balete. Ngona Lemba. Hidden categories: CS1 errors: missing periodical Articles with short description Use dmy dates from April "Related ethnic groups" needing confirmation Articles needing additional references from January All articles needing additional references Articles with French-language sources fr Commons category link from Wikidata Wikipedia articles with BNE identifiers Wikipedia articles with BNF identifiers Wikipedia articles with LCCN identifiers.

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